By Richard H. King
A learn of an immense cultural circulate, this article exhibits how Southern writers of 1930 to 1955 attempted to return to phrases with Southern culture. It discusses the ensuing physique of vital literature - fiction, poetry, memoirs and historic writing.
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Extra resources for A Southern Renaissance: The Cultural Awakening of the American South, 1930-1955
Finally, their cultural-literary tastes were thoroughly genteel. In his study of a number of these figures, The Savage Ideal, Bruce Clayton's assessment of their racial attitudes shows the degree to which they were still mesmerized by the family romance. Not only did they not challenge their fathers, they had no "real understanding of racism's hold on the Southern mind,"20 including their own. They were thoroughgoing paternalists and looked longingly back to the ante-bellum days when loving cooperation had allegedly marked the relationship of master and slave.
And no matter how far removed they were from the ideological violence of contemporary European fascism, the fictional fantasies of Faulkner's Gail Hightower in Light in August or the lacerating self-destructiveness of Bayard Sartoris in Flags in the Dust and the sophisticated poetry of Tate or Donald Davidson in his "Lee in the Mountains," all testified to the barely submerged violence that threatened to surface in the Southern tradition at its time of dissolution. Certainly Arendt's description of reality become "fantastic" A SOUTHERN RENAISSANCE 17 could stand as a general characteristic for much of the literature of Renaissance, a sort of modernist gothic style.
Horrified by lynching and egregious forms of racial domination, these moderates were still firmly committed to separate but equal development and to black inferiority. " Always lurking behind the earlier racial paternalism, this form of racism flourished in the iSgos and during the first decades of this century. The black man was seen less as the perennial child or docile old uncle who offered ease to the frantic strivings of whites and more as the barely tamed savage, the oversexed rapist, and/or the carrier of polluting disease which threatened the health, indeed the very survival, of the pure white race.
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