By Carl Magnus Palm, Dick Wallis
In 1966 younger males from Sweden wrote and recorded a tune known as Isnt It effortless to claim, which marked the start of a songwriting and list generating partnership that has endured to today. because the Sixties drifted into the Nineteen Seventies, they began making recordings with woman singers (who additionally later turned their wives), a operating dating that will proceed until eventually August 1982. in the course of that interval the foursome recorded a suite of songs which heralded the most winning recording careers the area has ever identified and claimed a special position within the background of renowned music.
That quartet was once after all Agnetha Fältskog, Björn Ulvaeus, Benny Andersson and Anni-Frid Lyngstad, larger referred to as ABBA, and this e-book is the tale of those humans and their recordings. in keeping with huge examine and numerous hours of unique interviews with all 4 participants of ABBA, their engineer Michael B. Tretow and plenty of of the musicians that performed with the band, ABBA - the total Recording periods recounts their tale in a manner that hasn't ever been instructed sooner than.
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Additional info for ABBA: The Complete Recording Sessions
23rd February Metronome Studio. Recording 'I Do, I Do, I Do, I Do, I Do'. Alto saxophone overdubs by Ulf Andersson. Björn and Benny are both big fans of the European 'schlager' music, romantic and sometimes saccharine songs with strong melodies, rooted in Germany, Italy and France. 50 The Complete Recording Sessions In fact, the 'schlager' tradition can be said to be a vital ABBA ingredient, both in terms of melody structure and when it comes to arrangements. Its prime exponent is perhaps 'I Do, I Do, I Do, I Do, I Do', heavily influenced by American orchestra leader Billy Vaughn, who had hit it big in Europe in the fifties with his versions of songs like 'Sail Along Silv'ry Moon'.
Rather than being the focal point of the recording, they were almost buried in the mix, and were more or less treated as just another sound ingredient. In fact, when the record was released, Polar received complaints from the Swedish Broadcasting Corporation, who insisted that there must be something wrong with the record! On 10th February, the contest was held and to everyone's astonishment, Björn, Benny, Agnetha and Frida only finished third. "I played in the Swedish Song Contest orchestra that year," says Janne Schaffer, "and I remember them sitting in their dressing room afterwards.
Then, for every single that bombed, we got picked up at the airport by a gradually less classy car and were put up in a gradually less classy hotel. " On a happier note, it was about this time that the'Mamma Mia' promotional film was shown on Australian television, leading to ABBA's big breakthrough in that part of the world. ABBA had also prepared promotional films for three other songs off the album, 'SOS', 'I Do, I Do, I Do, I Do, I Do', and 'Bang-A-Boomerang'. The films were directed by Lasse Hallström, whose first ABBA assignment had been the films for 'Ring Ring' and 'Waterloo' in the summer of 1974.
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