September 2, 2017

Download After the End of History: American Fiction in the 1990s by Samuel Cohen PDF

By Samuel Cohen

ISBN-10: 1587298155

ISBN-13: 9781587298158

During this daring booklet, Samuel Cohen asserts the literary and historic value of the interval among the autumn of the Berlin wall and that of the dual Towers in manhattan. With clean readability, he examines six Nineties novels and post-9/11 novels that discover the impression of the tip of the chilly struggle: Pynchon's Mason & Dixon, Roth's American Pastoral, Morrison's Paradise, O'Brien's within the Lake of the Woods, Didion's the very last thing He sought after, Eugenides's Middlesex, Lethem's castle of Solitude, and DeLillo's Underworld. Cohen emphasizes how those works reconnect the previous to a gift that's satirically partial to denying that connection. Exploring the methods principles approximately paradise and pastoral, distinction and exclusion, innocence and righteousness, triumph and trauma deform the tales americans inform themselves approximately their nation’s prior, After the top of background demanding situations us to think again those works in a brand new mild, providing clean, insightful readings of what are destined to be vintage works of literature. whilst, Cohen enters into the theoretical dialogue approximately postmodern old realizing. Throwing his hat within the ring with strength and magnificence, he confronts not just Francis Fukuyama’s triumphalist reaction to the autumn of the Soviet Union but additionally the opposite literary and political “end of heritage” claims placed forth by way of such theorists as Fredric Jameson and Walter Benn Michaels. In an easy, affecting variety, After the tip of background bargains us a brand new imaginative and prescient for the services and confines of latest fiction.

Show description

Read Online or Download After the End of History: American Fiction in the 1990s PDF

Best american literature books

The Portrait of a Lady

Whilst Isabel Archer, a tender American lady with appears, wit, and mind's eye, arrives in Europe, she sees the realm as 'a position of brightness, of loose expression, of impossible to resist action'.

She turns other than suitors who supply her their wealth and devotion to stick with her personal direction. yet that method ends up in disillusionment and a destiny as constricted as 'a darkish slim alley with a lifeless wall on the end'.

In a end that's probably the most relocating in sleek fiction, Isabel makes her ultimate selection.

The Great Railway Bazaar

First released greater than thirty years in the past, Paul Theroux's unusual, targeted, and highly pleasing railway odyssey has develop into a latest vintage of trip literature. right here Theroux recounts his early adventures on an strange grand continental travel. Asia's fabled trains — the Orient exhibit, the Khyber cross neighborhood, the Frontier Mail, the Golden Arrow to Kuala Lumpur, the Mandalay convey, the Trans-Siberian show — are the celebs of a trip that takes him on a loop eastbound from London's Victoria Station to Tokyo important, then again from Japan at the Trans-Siberian.

The Global Remapping of American Literature

This e-book charts how the cartographies of yankee literature as an institutional class have diverse significantly throughout assorted instances and locations. Arguing that American literature was once consolidated as a distinctively nationalist entity purely within the wake of the U. S. Civil battle, Paul Giles identifies this formation as extending till the start of the Reagan presidency in 1981.

Twentieth-century southern literature

" Authors mentioned comprise: Wendell Berry, Erskine Caldwell, Truman Capote, Ralph Ellison, William Faulkner, Shelby Foote, Zora Neal Hurston, Bobbie Ann Mason, Cormac McCarthy, Flannery O'Connor, William Styron, Anne Tyler, Alice Walker, Robert Penn Warren, Eudora Welty, Tennessee Williams, Thomas Wolfe, Richard Wright, and lots of extra.

Additional resources for After the End of History: American Fiction in the 1990s

Sample text

In particular, he is said to have been involved in the making of the novel’s cover (Mxyzptlk). The dust jacket comes in two parts, a paper jacket and a transparent overlay. The paper jacket features the title, in an eighteenth-century–looking typeface, magnified and spread across the front and back. On the front of the transparent overlay are the more legibly sized author name and title running across the top and bottom. It is a distinctive design, but it may also serve a purpose other than marketing.

One important context for the story of this line, then, is the story of the Enlightenment. Pynchon’s telling of it is less celebratory than the traditional version and more nuanced than the usual revision. One way to think about Pynchon’s version is, conveniently, in terms of lines. The understanding of the Enlightenment that in the twentieth century came under attack saw the eighteenth century as the time, in Kant’s words, of “man’s emergence from his self-incurred immaturity,” as a time when reason reigned supreme, and when, as a result, civilization built up a great, improving head of steam called progress (54).

The relationship between these two is one element of Mason & Dixon that makes it new in Pynchon’s corpus. , The Crying of Lot 49 (1966), Gravity’s Rainbow, and Vineland (1984) are not marked by the creation of and attention to fully rounded characters. ” This reviewer finds the absence of more typically novelistic characters 48 af ter enlightenment appropriate to the worlds their author creates in his fiction, worlds in which only mechanical men have a place: “In Pynchon’s world there is almost no trust, no human nurture, no mutual support, no family life” (Locke 12).

Download PDF sample

Rated 4.42 of 5 – based on 26 votes